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Vous avez sélectionné:
The Meters
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901
Haiku by The Khromatiks, for Electric Violin & Loop Station
Electric Violin,Instrumental Solo - Level 4 - Digital Download SKU: A0.845981 Compo…
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Electric Violin,Instrumental Solo - Level 4 - Digital Download SKU: A0.845981 Composed by Kayleigh Moyer, Kyle Pudenz, and The Khromatiks. 20th Century,Contemporary,Jazz,New Age. Individual part. 8 pages. ViolinVagabond Music #6017039. Published by ViolinVagabond Music (A0.845981). This is a loop station composition for electric violin that I composed for my live-looping duo, The Khromatiks, in 2014. Doing my part to increase the available repertoire for extended range violins out here on the internet!I originally recorded this tune on a 7-string electric violin with a Boomerang III loop station. That being said, there are plenty of other gear configurations that will work. Any phrase looper/sampler that is capable of playing 3 separate tracks or sections with overdubs will be able to handle this structure, such as the Singular Sound Aeros, Ableton Live with a MIDI controller, etc. If you don't play 7-string, a 5-string can also play this chart as written if you use an octave pedal to record the low bass lines. A standard 4-string can also work, although some phrases will have to be transposed 8va.A little about this tune: a Haiku is characterized by a pattern of 5-7-5 syllables, and in this piece that refers to the meters used in each of the overarching sections. The ambient intro in 5/8 involves a quartal ostinato with long sweeping volume swells, which then develops into a pizzicato groove in 7/8. This groove forms the basis for the majority of the tune, as melodies & improvised solos drift in and out over an A and B section loop. On the final B section, the loop drops out and the violinist builds up into a more distorted strum bowing groove (which accompanies a drum solo on the original recording). As the intensity builds, the 7/8 groove is shortened back into 5/8, thus completing the Haiku. The piece ends with a restatement of the original ostinato as it fades into silence using an automated volume fade on the looper pedal.With The Khromatiks this piece was performed as a duo with violin & drums/percussion, but also works as a violin solo. If you have a looper capable of syncing to a click track, you could also try adding bass or guitar/keyboards (players can read the chord symbols on the chart as a lead-sheet). The sky is the limit, feel free to get creative with it!Please, if you have questions or suggestions, feel free to contact me via my website, www.kylepudenz.com/, or on Instagram @theviolinvagabond
$7.99
7.46 €
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Kayleigh Moyer, Kyle Pudenz, and The Khromatiks
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improvised
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Haiku by The Khromatiks, for Electric Violin & Loop Station
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ViolinVagabond Music
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SheetMusicPlus
The Meters: Cissy Strut - bass solo
Basse electrique
Instantly printable sheet music by The Meters for bass solo of MEDIUM skill level. / funk,…
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Instantly printable sheet music by The Meters for bass solo of MEDIUM skill level. / funk,pop,rock
$3.97
3.71 €
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Basse electrique
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The Meters
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Virtualsheetmusic
The Meters: Cissy Strut - voice & other instruments (real book)
Ligne De Mélodie, (Paroles) et Accords
Instantly printable sheet music by The Meters for voice & other instruments (real book…
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Instantly printable sheet music by The Meters for voice & other instruments (real book) of MEDIUM skill level. / funk,pop,r & b,rock
$2.97
2.77 €
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Ligne De Mélodie, (Paroles) et Accords
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The Meters
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Virtualsheetmusic
The Meters: Cissy Strut - drums
Batterie
Instantly printable sheet music by The Meters for drums of MEDIUM skill level. / funk,pop,…
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Instantly printable sheet music by The Meters for drums of MEDIUM skill level. / funk,pop,rock
$3.97
3.71 €
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Batterie
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The Meters
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Virtualsheetmusic
The Meters: Cissy Strut - guitar ensemble
Ensemble de guitares
Instantly printable sheet music by The Meters for guitar ensemble of MEDIUM skill level. /…
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Instantly printable sheet music by The Meters for guitar ensemble of MEDIUM skill level. / funk,pop
$4.97
4.64 €
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Ensemble de guitares
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The Meters
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Virtualsheetmusic
The Meters: Cissy Strut - piano solo
Piano seul
Instantly printable sheet music by The Meters for piano solo of MEDIUM skill level. / funk…
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Instantly printable sheet music by The Meters for piano solo of MEDIUM skill level. / funk,jazz
$5.97
5.57 €
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Piano seul
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The Meters
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Virtualsheetmusic
Carol of the Bells
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.944570 Arranged by Beth Ha…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.944570 Arranged by Beth Hanson. Christmas. Octavo. 13 pages. Beth Hanson #4968313. Published by Beth Hanson (A0.944570). This SATB arrangement has a celtic/jazzy flavour to it. The meters of 12/8 in the piano accompaniment and 6/4 in the vocals combine for an appealing 2 against 3 feel. Solid piano skills are recommended.
$3.00
2.8 €
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Chorale SATB
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Beth Hanson
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Carol of the Bells
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Beth Hanson
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SheetMusicPlus
Time for the Future
Théorie de la musique
Theory and reference - guitar - Intermediate - Digital Download Polyrhythm in Harmony…
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Theory and reference - guitar - Intermediate - Digital Download Polyrhythm in Harmony. Composed by Bret Willmott. Guitar: Classical and Lute. E- book. Mel Bay Publications - Digital Sheet Music #97884EB. Published by Mel Bay Publications - Digital Sheet Music
Many polyrhythms and polymeters (simultaneous combinations of more than one rhythmic pattern) exist in today's music, with some being so common they could be referred to as rhythm licks. This book presents a unique and comprehensive approach to polymetric applications of various rhythms over common chord progressions and song forms in 3/4 and 4/4, written primarily for instruments with chordal capabilities. Non-chordal instrumentalists interested in rhythmic development and contemporary phrasing may also benefit. Polymetric rhythms will force a variety of harmonic anticipations and delays which can have a profound and beneficial effect on harmonic, melodic, and improvisational phrasing. In addition, the focused attention and expanded awareness needed to master these exercises can also help in your sensitivity and response to the surrounding environment and your interactions with other musicians and audience.
$27.99
26.12 €
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Théorie de la musique
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Bret Willmott
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Time for the Future
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Northern Lights
Piano seul
Piano - Late Intermediate - Digital Download SKU: F0.W9407 Composed by Kevin Olson.…
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Piano - Late Intermediate - Digital Download SKU: F0.W9407 Composed by Kevin Olson. Sheet Music. Written For You. Solo Sheet. 6 pages. The FJH Music Company - Digital #W9407. Published by The FJH Music Company - Digital (F0.W9407). UPC: 674398230983.This toccata creates a vivid impression of the extraordinary beauty of the northern lights. Performers develop technical fluidity, artistic use of pedal, delicate touch, and left-hand voicing with right-hand coloration. The piece begins in the key of F# Major then modulates to G, and uses 6/8, 3/4 and 4/4 meters. About FJH Written For You Piano SolosSparkling and lyrical pieces which promote musical expression.
$3.50
3.27 €
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Piano seul
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Kevin Olson
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Northern Lights
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The FJH Music Company - Digital
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SheetMusicPlus
The Troubadour
Piano seul
Piano - Intermediate - Digital Download SKU: F0.W9254 Composed by Kevin Olson. Shee…
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Piano - Intermediate - Digital Download SKU: F0.W9254 Composed by Kevin Olson. Sheet Music. Written For You. Solo Sheet. 4 pages. The FJH Music Company - Digital #W9254. Published by The FJH Music Company - Digital (F0.W9254). UPC: 674398217403.This piece is a great piece for the study of changing meters. Beginning in 8/8, changes between 7/8, 6/8, and 9/8. It has a Renaissance melodic sound based on the The TroubadourAC/a,!aEURa Renaissance traveling musician. This piece is a great piece for the study. About FJH Written For You Piano SolosSparkling and lyrical pieces which promote musical expression.
$2.95
2.75 €
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Piano seul
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Kevin Olson
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The Troubadour
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The FJH Music Company - Digital
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SheetMusicPlus
CONJUNCTION: The Christmas Star of 2020
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers…
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Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brotherâs passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthewâs gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holstâs The Planets for themes that would portray Jupiter and Saturnâs pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holstâs motives provide CONJUNCTIONâs foundation I also used Handelâs Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020âs grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturnâs plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiterâs main hymn theme. Still, itâs the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.
$95.00
88.67 €
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Orchestre
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Robert Myers
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He will show His favor again
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CONJUNCTION: The Christmas Star of 2020
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WheatMyer Music
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SheetMusicPlus
Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Chorale SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.931836 Composed by …
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #4776187. Published by Dots and Beams (A0.931836). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series youâll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They donât follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If youâre not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
9.33 €
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Chorale SATB
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Nathan Petitpas - Dots and Beams
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Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters
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Dots and Beams
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SheetMusicPlus
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bas…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - Digital Download SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series youâll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They donât follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If youâre not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
9.33 €
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Nathan Petitpas - Dots and Beams
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Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters
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Dots and Beams
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SheetMusicPlus
Cissy Strut
Jazz combo
Jazz Combo - Level 3 - Digital Download SKU: A0.1356940 By The Meters. By Arthur Ne…
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Jazz Combo - Level 3 - Digital Download SKU: A0.1356940 By The Meters. By Arthur Neville, George Porter, Joseph Modeliste, Jr., and Leo Nocentelli. Arranged by edited by Dr. LeRoy Henry & Marie Bender. Funk,Jazz,R & B,Rock,Soul. 29 pages. Dr. LeRoy Henry #941577. Published by Dr. LeRoy Henry (A0.1356940). Cissy Strut is a 1969 funk instrumental by The Meters. Released as a single from their eponymous debut album, it reached No. 4 on the R&B chart and No. 23 on the Billboard Hot 100. The tune was inducted into the Grammy Hall of Fame in 2011, which honors recordings of lasting qualitative or historical significance that are at least 25 years old. The A.V. Club called the song a classic deeply rooted in New Orleans music tradition.Cissy Strut was featured in the films Jackie Brown, Red, King Richard and Another Round as well as in the BBC television series The Pursuit of Love.In 2021, Rolling Stone ranked Cissy Strut at number 158 on their 500 Greatest Songs of All Time list, one of the handful of instrumentals to make the list.Many transcribers of this tune obscure the 1/4 notes by improperly beaming the 1/16 notes. This arrangement fixes that issue. After solos the tune returns to the B section and then the A section This is called the Boden form used by Bartok and is frequently used when playing jazz ballads.This arrangement includes optional horn parts (trumpet, alto saxophone, tenor saxophone, trombone, and baritone saxophone). These parts include chords where the players can farm out the various notes to different horns.
$24.99
23.32 €
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Jazz combo
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The Meters
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edited by Dr
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Cissy Strut
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Dr. LeRoy Henry
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SheetMusicPlus
Sight-singing exercises for two-part choirs vol. 1C - Compound meters
Chorale SATB
Choral Choir (Mixed) - Level 1 - Digital Download SKU: A0.782809 Composed by Nichol…
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Choral Choir (Mixed) - Level 1 - Digital Download SKU: A0.782809 Composed by Nicholas Palmer. Instructional. Octavo. 24 pages. Nicholas D Palmer #3516751. Published by Nicholas D Palmer (A0.782809). The purpose of this series of sight-singing exercise books is to give choir directors supplemental materials with which to strengthen the reading skills of singers.These exercises may be used in a variety of ways, starting with unison choir, then two part, then switching parts, etc⦠to maximize the exercisesâ content. No texts are provided, so that the singers may use neutral syllables to focus on tone, or solfege, numbers, or rhythm syllables, depending on the system the teacher uses.This volume contains 20 exercises, using common rhythmic patterns in 6/8, 6/4, and 9/8, with some exercises in 12/8, and then 5/8 and 5/4. Volume 1A includes only longer note values, B introduces eighths and sixteenths, and D will introduce melodic minor.Volume 1 (ABCD)- Diatonic Seconds Volume 2 (ABCD) - Diatonic ThirdsVolume 3 (ABCD) - 1-5-1, octave leapsVolume 4 (ABCD) - FourthsVolume 5 (ABCD) - FifthsVolume 6 (ABCD) - SixthsVolume 7 (ABCD) - SeventhsVolume 8 (ABCD) - Chromatic intervalsIn general, the exercises give some direction for articulation, dynamics, and tempo. Though these are optional, the more notation detail the singers pay attention to, the greater their skill will be in reading all the notation on the page. In some cases, vagueness in these instructions leaves opportunities for singers to decide how to articulate, what tempo might be appropriate, and how loud or soft to sing.If you discover any errors, please notify me, and then give your singers a chance to figure out what the error is! Nick Palmerwww.nicholaspalmer.comnicholasdpalmer@gmail.com
$9.99
9.32 €
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Chorale SATB
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Nicholas Palmer
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Sight-singing exercises for two-part choirs vol. 1C - Compound meters
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Nicholas D Palmer
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SheetMusicPlus
For the Joy Set Before Him
Basson
Bassoon Solo - Level 5 - Digital Download SKU: A0.1009245 Composed by Maria Lord-Kn…
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Bassoon Solo - Level 5 - Digital Download SKU: A0.1009245 Composed by Maria Lord-Kniveton. Concert,Contemporary,Easter. Individual part. 17 pages. MaLoMaLo Press #6669053. Published by MaLoMaLo Press (A0.1009245). For the Joy Set Before him makes an excellent addition to an advanced performer's recital or a meditative concert during Lent. The combination of extended techniques and contemporary writing with a familiar and ancient story can connect with audiences whether they have avante-garde or conservative tastes. The piece could introduce students at an advanced collegiate level to quarter tones, multiphonics, harmonics, advanced meters, non-metric music, and theatrical elements. Several suggestions for theatrical elements are given so the performer can adapt the piece to the context available. A stage hand is necessary! A short chant may be sung by the bassoonist or an offstage vocalist during the final stage transition if desired (resource recommended within the score). To learn more about the composer and her other works, visit marialordknivetonmusic.com.
$20.00
18.67 €
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Basson
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Maria Lord-Kniveton
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For the Joy Set Before Him
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MaLoMaLo Press
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SheetMusicPlus
The Four Seasons in the Basque Country
Orchestre d'harmonie
Concert Band - Digital Download SKU: A0.917412 Composed by Gregory Fritze. 20th Cen…
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Concert Band - Digital Download SKU: A0.917412 Composed by Gregory Fritze. 20th Century,Contemporary,Folk. Score and parts. 370 pages. Musica Nova USA #6321277. Published by Musica Nova USA (A0.917412). The Four Seasons in the Basque Country is a 4 movement symphony for concert band. It is the Third Prize Winner of the 2020 American Prize in Composition - Concert Band. Grade 5, duration 27 minutes. The piece depicts four different places in the Basque country that the composer feels best show the changes of season. The first movement is Winter in the Costa Norte (Galerna). Galerna is on the northerncoast and is subject to harsh storms in the winter. As the piece starts off with a light-hearted dance in thepiccolo, a storm is approaching from afar. At first the storm seems to be in the distance but as it comes closer it overtakes the festivities in a bluster. For a short time two conductors are needed as the concertband is split into two groups â one showing the light-hearted dance led by the piccolo, the other thecacophony of the storm led by the percussion. The storm overtakes everything as it ends the movement with a flourish.The second movement Spring in Rioja Alavesa is a calming contrast to the first movement like the freshness of a spring day. The sun rises and shines beams of light onto the acres of grape vines. After a timea short rain comes to refresh and clean the plants.The third movement Autumn at the Guggenheim Museum is in a traditional 3rd movement form of a symphony, minuet and trio, but the harmonies sometimes use bitonality, having the melody in one key while the accompaniment is in another to suggest surrealism. The Guggenheim Museum in Bilbaois one of the worldâs most famous museums, not only for the surreal art inside, but also because of the architecture of the building itself.The fourth movement Summer in Bilbao is based on a dance melody composed in the Ezpata- dantza Basque style. It employs a rhythmic element with alternating 6/8 and 3â4 meters where the eighth notes are basically equal, but in the dance the 3â4 meter is actually a little bit longer. This type of subtlemanipulation of rhythm is used similarly in the Viennese Waltz, when the 3rd beat would be stretched outto accommodate the dancers. The Ezpata-dantza dance continues until the Altza Gastiak, the officialsong of the Bilbao Athletic Club, the local soccer team of Bilbao, is heard. After this the Ezpata-dantzamelody is transformed from a happy dance to a triumphant melody and rousing finale.In The Four Seasons in the Basque Country all of the themes are original except for the short excerpt ofAltza Gastiakin the 4th movement. Some themes are composed in the style of Basque folk dances.Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanishcomposers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Recordsand others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University.He now resides in Daytona Beach Shores, Florida
$100.00
93.34 €
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Orchestre d'harmonie
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Gregory Fritze
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The Four Seasons in the Basque Country
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Musica Nova USA
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SheetMusicPlus
Another Year is Dawning
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1373531 By Stephen R Dalrymple. By …
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Piano Solo - Level 2 - Digital Download SKU: A0.1373531 By Stephen R Dalrymple. By Frances Havergal, Samuel Sebastian Wesley, Daniel Silvan Evans. Arranged by Stephen R Dalrymple (Dalrymple Designs). Advent,Christian,Sacred. Score. 5 pages. Stephen R Dalrymple #934411. Published by Stephen R Dalrymple (A0.1373531). Another Year is Dawningâ« by Frances Havergal (1874), Samuel Sebastian Wesley (Aurelia, 1864) & Daniel Silvan Evans (Llangloffan 1865)â« arranged for piano solo by Stephen R Dalrympleâ« music © 2024 Stephen R Dalrympleâ« recording â 2024 Stephen R Dalrymple ⫠presentation © 2024 Stephen R Dalrymple ⫠performed by the arrangerâ« One of the advantages of hymn singing is being able to substitute a different melody to fit the lyrics. Hymnals normally have a metrical index of hymn meters based on the syllabic pattern and stress of the poem. Currently AURELIA is most often paired with The Churchâs One Foundation.  However, it works beautifully with Another Year is Dawning. The second verse is paired here with a Welsh melody LLANGLOFFAN.â« Frances R Havergal wrote the lyrics for 89 hymns including Take My Life and Let it Be, I Gave My Life for Thee, and Like a River Glorious. Another Year is Dawning was written as a poem for her New Years greeting cards.â« This .pdf file includes 2 files: 1) Letter size piano score 2) Small page piano score for performing from a 10 inch tabletâ« (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)â« YouTube channel @DalrympleDesigns.
$4.50
4.2 €
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Piano seul
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Stephen R Dalrymple
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Another Year is Dawning
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Stephen R Dalrymple
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SheetMusicPlus
Enjoy the Modes: How to Identify and Use the Modes in your Music
Instruments en Do
C Instrument - Level 2 - Digital Download SKU: A0.1101496 By Karen Peterson, CMP. B…
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C Instrument - Level 2 - Digital Download SKU: A0.1101496 By Karen Peterson, CMP. By Karen Peterson, CMP. Arranged by Karen Peterson, CMP. Celtic,Folk,Historic,Instructional,Irish,Traditional. Lead Sheet / Fake Book. 170 pages. Karen Peterson #704871. Published by Karen Peterson (A0.1101496). What makes modes different? When do you use them? How do you use them? Is this song in a mode? This book is for everyone who has heard of modes and doesnât know what to do next. Take advantage of how harpers use the same hand position for major and minor chords: change your levers or pedals to hear the differences between Lydian, Ionian, Mixolydian, Dorian, Aeolian, and Phrygian on the same strings. * Learn the two or three essential chords at the foundation of each mode. * Understand how to identify the mode or modes a piece is in. * Experiment with exercises for improvising, composing, and arranging in each mode. * Compare 40 color-coded pairs of scores in contrasting modes. * Get lead sheets for 29 modal pieces from over a dozen nations. * Add your own harmonies to 15 additional melodies. * Find key signatures, scales, and chords for all the modes on a fully levered harp tuned in flats. * Use simple graphics to visualize the music theory behind the modes. * Practice segueing between modes and meters. This book contains practical information for all musicians and is written especially for harpers. The scores are in keys from two sharps to three flats. They fall within the range of a 22-string harp starting with the lowest note of G below middle C. 161 pages. Spiral-bound copy available here, as well as the first chapter and example pages: https://www.enjoytheharp.com/publications/enjoy-the-modes-instruction-book-hardcopy
$39.95
37.29 €
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Instruments en Do
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Karen Peterson, CMP
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Karen Peterson, CMP
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Enjoy the Modes: How to Identify and Use the Modes in your Music
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Karen Peterson
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SheetMusicPlus
Breathe Low
Chorale SATB
Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.835039 Composed by Cody W…
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Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.835039 Composed by Cody Weinmann. Contemporary,Instructional. Octavo. 8 pages. Cody Weinmann #2005165. Published by Cody Weinmann (A0.835039). An epic piece for SATB choir and optional solo soprano part on the last page of the piece. This piece represents close and even clustered harmony, almost like a beautiful orchestra, but with voices. The piano player is more of a piano reduction of the choral parts. This is the perfect score for harmony practice within the choir, especially with ensembles that have trouble finding pitch in closer quarters. The text of Breathe Low is a meditation for those who are in tough times. The original text speaks peace and restoration. Breathe Low and Speak soft refer to a calming effect that will sooth audiences. There is also what I call the Football Section where a fugue like subject, Let us find peace, tosses itself between all voices starting in the bass section, moving to tenor, alto and soprano. Sometimes this section shares harmony (SA and TB together). It does have multiple meters from 4/4 to 2/4 time and back again. This peace encompasses a wide use of dynamics from piano to double forte. Print this piece on 8.5 x 11 in. paper. It is around 4 1/2 minutes and is 8 pages long in print.
$4.50
4.2 €
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Chorale SATB
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Cody Weinmann
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Breathe Low
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Cody Weinmann
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SheetMusicPlus
Mothers and Daughters
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.1106749 Composed by Ka…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.1106749 Composed by Kathleen M. Basi. Chamber. 19 pages. Kathleen M. Basi #709661. Published by Kathleen M. Basi (A0.1106749). Mothers and Daughters presents a flute duet in which the two parts are largely similar in difficulty and interest. Includes two movements: a lullaby in G minor and a technically challenging up-tempo movement that explores the shifting relationship between a mother and daughter as they grow, rebel, struggle, and ultimately find a new balance, illustrated by a shift from minor to major key. Grade 3.5 as measured by Flute World https://www.fluteworld.com/sheet-music-grading/?fbclid=IwAR3tvNX0V7z-Kbe-vTkKGltZFmuVtuv_Hjw9ay_fQvKO73jMMBcXByfxhd8 ⢠Baby Mine: Meter: 3/4, 4/4 Key: G minor Level: 2 Range: Part 1 â G1-Eb3; Part 2 â D1-3B3 ⢠Follow the Leader: Meter: 2/4, 5/8, 7/8, 3/8, 6/8 Shifting meters illustrate the tug of war as child seeks her independence Key: C minor/Eb major Level: 3.5 Range of student part: D1-F3. Mothers & Daughters was commissioned by Wendy Kvam as a graduation gift for her daughter.
$6.99
6.52 €
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Kathleen M
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Mothers and Daughters
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Kathleen M. Basi
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SheetMusicPlus
Old Father Christmas for Unison Choir with Chords for Guitar/Ukulele/Etc. (opt. minus track availabl
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.742005 Composed by M. Ryan Taylor. 2…
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Choral Choir (SATB) - Digital Download SKU: A0.742005 Composed by M. Ryan Taylor. 20th Century,Children,Christmas,Contemporary. Octavo. 2 pages. Vocal Works #3594403. Published by Vocal Works (A0.742005). A fun celebration of Old Father Christmas in multiple mixed meters. Note: If using the optional minus track (available on this site), there are 5 introductory measures of rest in 9/8 before the choral part begins. These are most easily counted 1&a 2& 3& 4& (with the subdivisions the way they are divided)).
$1.99
1.86 €
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Chorale SATB
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M
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3&
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Old Father Christmas for Unison Choir with Chords for Guitar/Ukulele/Etc.
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Vocal Works
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SheetMusicPlus
Has the Rain a Father? [Piano OR Guitar]
Instrumental Duet Guitar,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.5…
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Instrumental Duet Guitar,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.596568 Composed by Juan MarÃa Solare. 20th Century,Contemporary. Score and parts. 9 pages. Juan Maria Solare #4717703. Published by Juan Maria Solare (A0.596568). Has the Rain a Father? This piece exists in two versions: Piano solo Guitar solo (without or with electronic sounds) The piano version has no huge secrets (to clarify: the pedal is used da capo al fine without interruption). The guitar version is written in three keys: E, G and A (Dorian). The performer may choose one or another score at their convenience. The guitar version can also use effects of all kinds, or amplifiers that are not always used in classical music. At the end of 2019 an album will be released on Spotify and other online music platforms with both versions of the piece (solo piano and acoustic guitar with electronic sounds). As an example of the amplitude that the composer expects from the performers: in this record production, the guitar signal is split in two parts, panned to the right and left, and different types of effects are applied to each channel (chorus, delay, reverb of different kinds and with different parameters). The original guitar signal is also in the center. Of course, there are also the electronic sounds themselves. A preliminary version can be heard here: https://juanmariasolare.bandcamp.com/album/has-the-rain-a-father Has the Rain a Father? is a quote from the bible, specifically from the book of Job 38:28. It is part of a series of rhetorical questions that tend to convince Job of his ignorance. Has the Rain a Father? was composed in Bremen (Germany) on March 17, 2019 (plus details to the piano part on March 27). Its duration is about 4:30. I asked some people about the wording of the title. Among the meaningful answers: Which wording is better, Has the rain a Father? or Does the Rain have a father? (Bible, Job, 38:28). It will be used as the title of a music piece for piano. Has the Rain a Father? is slightly unusual, and thus is attention-grabbing, something you want in a title. It sounds more biblical, calling attention to the allusion. In ordinary speech the Does the . . . version is more common, but for a title you donât necessarily want common. (Johnny Wilson, former Writer and Magazine Editor (1973-1999))
$2.35
2.19 €
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Juan MarÃa Solare
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Has the Rain a Father? [Piano OR Guitar]
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Juan Maria Solare
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SheetMusicPlus
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